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All good intentions… Something I haven’t blogged about recently are my solo AV experiments. Here is a video from a performance I did at the Installer gig at the Fringe Bar in October 2009. Installer Gig excerpt from Performing Audiovisualist on Vimeo. This footage features compositions i’ve been working on for the next [...] I’ve always been into deep immersion and I have to say, lecturing and tutoring is a major distraction; splitting my life into such quadrants means I pay little attention to anything. I’m an obsessive and need unrestricted time to immerse. Here comes summer, just in the nick of time! Brisbane summer humidity makes me [...] TDPAV_revision2_submit_candidate There it is… my first paper. Delivered to the Australasian Computer Music Conference in August 2009 and published as part of the proceedings. Three months on I see it as not so much a proof of concept as it is an evocation of the reason for a program of research on the nature [...] As mentioned before on this blog, N4rgh1l3 is a collaborative project with Andrew Thomson who also works with Joe Musgrove in Biffplex. We have similar tastes in music and movies and it seemed logically that we should help swell the artist/band scene in Brisbane with yet another side project. Initially though our collaborations lacked [...] First new post in a while; adopted an aura of silence during the hermetic construction of my methodological framework. Also have a paper accepted for the Australasian Computer Music Conference titled “Towards a definition of the Performing Audiovisualist” which I will post after i’ve completed the necessary revisions. I’m trekking down to Melbourne this [...] The following is an evocation/rant about my research that I posted to an old friend in an attempt to outline what it is i’m doing. With respect to those practitioners who are working harder than me in the “4 real” world to define this new area – this is not about you – and [...] In my last post I neglected to add this N4rgh1l3 video: waev from Andrew Thomson on Vimeo. I think it is a fairly representative example of how our aesthetic influences draw parallels between historical works of Visual Music and the digital arts of practitioners like Tina Frank. Some of you may have noticed [...] |
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